Piled Up Artwork by Jackie Partridge

Piled Up is made by Jackie Partridge. I created this artwork during my Master of Fine Arts at Concordia University.

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Winding Road- Art Installation by Jackie Partridge

Winding Road -art installation from 2016 completed in Montreal by artist Jackie Partridge. Here is an art installation from my archive. Winding Road is an art installation from 2016. It is made from Mylar, ink, and thread. It measures 18’x 3.’ I made this work while completing my MFA at Concordia university in Montreal, QC.

I loved using ink and seeing how it pooled to dry making interesting overlapping line drawings. This artwork was inspired by driving along the countryside and looking out the window. This work later turned into an art book - you can see that here!

I chose to paint and draw on a frosted mylar because I like how it looks foggy and isn’t fully transparent. It has a really nice effect when it is backlit with lights in an art exhibition. 

I later turned these paintings into Fielding Through and Field of Green. For the work Fielding Through I sewed some of these pieces together using white thread and my sewing machine to create an accordion style book that was able to stretch and pull a part. For Field of Green some of the larger pieces were hung on the wall behind the sheet curtain of painted fabric. 

As an artist, I often rework my artwork to add to it or to morph it into new artwork or installations. I like that art is able to change and evolve over time. By taking a look at my current artwork below you will be able to see some similarities between pieces as art is inspired by previous pieces.

To see my current art practice -click here!

Winding Road ink on mylar installation by Jackie Partridge

Winding Road ink on mylar installation by Jackie Partridge

Detail of Winding Road by Jackie Partridge

Detail of Winding Road by Jackie Partridge

Related Articles and Artwork

Fielding Through - inspired by this piece

Field of Green -inspired by this piece

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Fields -Mirror Installation by Jackie Partridge

Fields is made from colourful sewn thread and flax handmade paper. It measures 18’x 3.5.’ I made this work in 2015 while completing my MFA at Concordia university in Montreal, QC. 

I created this artwork by sewing on a dissolvable fabric and layering different colours of thread. Sometimes, I would have a different colour in the bobbin and a different colour in the tread. I sewed in a back and forth manner to resemble the repetitive motion of planting and harvesting crops in fields. After sewing, I dissolved the fabric and took the pieces to the paper making studio where I squeezed flax pulp through a tube in patches of the sewing. Once I was done applying the pulp I put the artwork through the paper press to squeeze out excess water as part of the paper making process. Then I let the artwork dry flat; it took about 24 hours to dry. There are about 10 separate panels of this artwork in total. 

The pieces of this art installation are quite delicate and fragile. I suspended them with thread that tied onto the individual pieces. 

Usually this installation is hung against the wall but in this installation from 2017, I got to hang this textile artwork in front of the mirror. I loved how the thread was reflected and looked like a long continuous line drawing. When the artwork hangs against the wall it does create some really beautiful shadows.I would love to add to this piece and make it larger in the future. 

You can see the original installation of this piece - here!

Jackie Partridge and Fields thread with handmade paper installation
Detail of Fields installation

Detail of Fields installation

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Trail - Arm Knitted Installation by Jackie Partridge

Trail detail by Jackie Partridge, arm-knitted lace strips

Trail detail by Jackie Partridge, arm-knitted lace strips

Trail by Jackie Partridge is a work from my art archive that I made while living in Montreal and going to school for my MFA. This fiber artwork is very performative as I used the knitting process to create it. The act of knitting is very repetitive and labour intensive. It is the same motion over and over again. Learn more about this textile artwork below!

Trail

1’x 20', found lace, sewing and arm knitting, 2016. 

The work was displayed at Ancienne École des Beaux Arts for the end of year MFA exhibition “Maureen” in 2016.

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Jackie-Partridge_Trail.jpg

This art installation is made by cutting long strips of found lace curtains. The strips of lace were sorted by colour from a yellow cream colour all the way to a pure white at the bottom of the piece. The colour created a nice gradient. The strips were then sewn together to create a very long strip that was then wrapped like a ball of yarn. This process was repeated twice. Like knitting, I used my arms as the “knitting needles” and continued to knit for over an hour to create this 20 foot long installation that was suspended from the top of the staircase. I knit continuously since I used my arms as the knitting needles.

When this piece is lit it produces some beautiful shadows from the design of the white lace. 

I have also displayed this textile artwork outside in the snow. You can see the photograph at the bottom. I liked draping it in the snow and seeing how it dragged across the snow. 

To see my current artwork and art process connect with me on social media by clicking one of the icons below! Or follow me on Instagram @jackiepartridge_ 

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Outdoor installation of Trail by Jackie Partridge in the snow

Outdoor installation of Trail by Jackie Partridge in the snow

Conceal - Art Installation by Jackie Partridge

Conceal is a project that was inspired my a previous work Trapped this work is from 2017 by artist Jackie Partridge.  In the installation below I use the same hand dyed and hand embroidered dishcloth quilt from Trapped. The dishcloth quilt is made to resemble an aerial view of farmlands. Farming runs in my family as both sets of grandparents and great-grandparents owned farms. I grew up in Wellesley, Ontario, a small town surrounded by farmlands. I watched the land over time develop into subdivision after subdivision. This artwork became symbolic for concealing or covering, protecting and hiding the land. The dishcloths are dyed with inks and acrylic fluids with bright colours of greens, browns, yellows, oranges and pinks to represent the colours and beauty of farm fields. I really wanted to highlight the beauty and vibrancy of the landscape.

I am interested in quilts and fibre art because when I grew up I had 8 grandmothers including great-grandmothers and great-great-grandmothers. So the craft of embroidery and sewing are very important to my family heritage. 

With my art practice I often reuse elements and photograph different artwork outside to change and transform the context of the work itself. I see my art evolving and transforming through time similar to how the landscape is in a constant state of change.

This quilt inspired artwork is draped over rocks at my grandmother’s house in Kinmount, ON. Their property is a special place where I enjoy spending my summer. I find being in nature to be a very inspiring place for my work and me as an artist. Photographed by me in summer 2017.

I see the quilt as a symbol of protection, warmth and comfort. Like most quilts are. 

You can see my current art practice here!

Shop for handmade art -here

Follow me on social media @jackiepartridge_ to see current artwork and to hear about upcoming art exhibitions. 

Conceal by Jackie Partridge
textile artwork outdoor installation by Jackie Partridge

To see my current artwork >>connect with me on social media - click on one of the icons below!

Learn about new artwork and upcoming exhibitions by clicking here!

Sediment -Art Installation by Jackie Partridge

Sediment art installation by Jackie Partridge was started in 2017. I started paper making in 2015 where I was working as a teaching assistant in a paper making class during my MFA. See some behind the scenes look at a current project and learn about the process of paper making below!

Sediment is an ongoing art installation since 2017 where I form sheets of handmade paper with blue jeans from my grandfather. Currently there are about 300 pieces of handmade paper.

Sediment art installation with blue denim handmade paper by Jackie Partridge

My grandfather is a retired farmer who sold the family owned century farm in 2012.

The paper acts as a memory and are stacked on the floor like waves in the water.

This piece is inspired by the artwork Remnants that also used old farming clothes belonging to my grandfather.

Learn how to make paper out of denim here! This explains the process for making this artwork.

Sediment art installation by Jackie Partridge made of 300 sheets of handmade denim paper

In order to make the denim paper the blue jeans must be collected rinsed with water and cut into tiny 1”x1” squares. After the squares are cut they are put into a beater that grinds the natural fibres into tiny blue threads.

The paper making process- denim pulp

The paper making process- denim pulp

After the pulp is beaten down to tiny threads (taking around 4 hours or longer) The pulp is added into a vat of water and a mould and deckle are used to create sheets of paper.

This is the mould and deckle used to create the circle sheets of paper

This is the mould and deckle used to create the circle sheets of paper

Marbled Denim Paper
CA$28.00
Pocket Full of Sunshine
CA$100.00

Trapped -Art Installation by Jackie Partridge

Trapped is an art installation from 2016 by Jackie Partridge that I completed during my MFA. In this installation I hand dyed and hand embroidered dishcloths and sewed them together as a large quilt. I want the quilt to be seen as an aerial view of farmlands. 

Above the quilt drapes a large sewn thread installation -made from white thread. The sewn piece is stitched on a dissolvable surface. The sewn structure mimics that shape of my hometown as viewed from a map and inside the shape are rows and rows of a basic symbol of a house shape. 

To see my current art - click here!

View the art project Conceal- inspired by this piece!

Trapped textile art installation with hand dyed and hand embroidered dish cloths with suspending sewn net by Jackie Partridge
Detail of sewn net, part of Trapped installation by Jackie Partridge

Detail of sewn net, part of Trapped installation by Jackie Partridge

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Fielding Through- Painted Drawing with Ink by Jackie Partridge

Fielding Through by Jackie Partridge

22’x12,”  ink and acrylic fluids on Mylar, 2016

Fielding Through is an accordion style book that stretches out creating a long continuous 22' field. Each drawing of the field is painted abstractly with coloured ink and fluid acrylics by Golden. The work was inspired by my hometown Wellesley, ON and the continuous views of farmlands that blur as the car drives past all the fields.

This artwork is inspired by my family heritage of farming. Both of my grandparents were farmers and my mom’s parents owned a family century owned farm. This piece highlights the beauty of the landscape and how expansive it is. I chose bright and vibrant colours to highlight the beauty. Fields, nature and landscapes are common inspiration for my artwork and art installations.

I love using Golden Acrylic Fluids because there is less of a water concentration and it is more of a pure pigment so the colours are a lot more bright and vibrant. I started painting with inks on sheer, transparent fabric during my undergraduate degree at Lakehead University. I started painting on mylar which is a transparent plastic type paper during my Master of Fine Arts degree at Concordia University. I like the way the colours dry and layer on top of each other creating rings of colour and interesting lines. Since the mylar paper is transparent you can also see layers of the coloured washes from the previous pages in the book. 

This piece is inspired by my work Field of Green, which is a large painted field on sheer white fabric with painted fields on large sheets of mylar that are pinned to the wall. The fabric drapes away from the wall. 


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Fielding Through, ink drawing on frosted mylar by Jackie Partridge

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Ink Drawing on mylar paper by Jackie Partridge
Fielding Through, Ink drawing on mylar, abstract design by Jackie Partridge